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Chapter 3 - The Weight of Gold and Clay

The nanny’s quarters were larger than the entire apartment I had shared with Sebastian during our first year of marriage, back when he still pretended to love me.

The bed was made with thick, heavy linen sheets, and a fire had been laid in the small stone hearth. On the vanity sat a basin of warm water, a bar of lavender soap, and a stack of soft, oversized towels. Next to them was a simple, dark blue wool dress and a pair of sturdy leather shoes.

There was no note, but I knew who had placed them there. Enzo’s silent efficiency was everywhere.

I washed the grime of the Chicago streets from my skin, feeling the hot water soothe the aches in my limbs. When I looked in the mirror, I didn't see the polished, starved version of myself that Sebastian had tried to sculpt. I saw Evelyn. My shoulders were broad, my hips wide, my face round. I was a woman built for endurance, not for display.

Let them look, I thought, pulling the blue dress over my head. It fit perfectly, grazing my curves without clinging, the heavy fabric warming me instantly. I am still here.

The next morning, the mansion was silent as a tomb when I walked down the grand staircase at 6:00 AM.

I found the children in the sunroom, a beautiful glass-walled space that overlooked a frosted garden. A long wooden table was set with fruits, fresh pastries, and a silver pot of hot cocoa.

Leo was already there, reading a book that looked far too advanced for a six-year-old. Nico was drawing in a small sketchbook, his tongue poking out of the corner of his mouth. Mia was playing with Barnaby on the rug, her tears from the night before entirely forgotten.

"Good morning," I said, stepping into the room.

Leo didn't look up from his book. "You're wearing the house uniform. It makes you look like a nun."

"I think blue is a very nice color," Nico murmured without looking up from his drawing. "It's the color of the sky before a storm."

"Thank you, Nico," I said, walking over to the table. I poured a small cup of cocoa for Mia and sat down on the low bench near her. "And what are you reading, Leo?"

"The Gallic Wars," he said, flipping a page with a sharp snap. "In Latin."

I smiled slightly. "Julius Caesar. A very ambitious choice. Did you reach the part where he builds the bridge over the Rhine?"

Leo’s head snapped up, his gray eyes narrowing. "You know Latin?"

"My father was a history teacher," I said softly, the memory of my father's dusty study warming my chest. "He taught me that Latin is the language of people who wanted to conquer the world, but Greek is the language of people who wanted to understand it."

Leo stared at me, his young face a mask of suspicion. "Father says understanding the world is useless if you do not control it."

"Your father is a very powerful man," I replied, keeping my voice neutral. "But even the strongest walls need a deep foundation. If you only control what is above the ground, the earth beneath you will eventually slide."

For the first time, Leo didn't have a quick retort. He looked down at his book, his fingers tracing the leather spine.

"Can you draw a dragon?" Nico asked suddenly, sliding his sketchbook toward me.

I looked down at the page. He had drawn a beautifully detailed, if somewhat chaotic, scene of a castle under siege. "I can try," I said. "But my dragons have very large bellies because they eat too many tarts."

Nico giggled—a high, sweet sound that seemed to chase the shadows out of the corners of the room.

We spent the next two hours in a quiet, easy rhythm. I helped Leo translate a difficult passage about Caesar’s cavalry, helped Nico shade the scales of his dragon, and built a castle out of wooden blocks for Mia. I didn't try to force them to love me. I didn't try to be their mother. I simply let them be children in a house that seemed to demand they grow up far too fast.

At nine o'clock, the heavy double doors of the sunroom opened.

Dante Bellandi walked in, followed by two men in dark suits. He was dressed for the city—a charcoal coat, a silk tie, his hair perfectly in place. But his eyes immediately swept the room, checking the exits, checking the children, before finally landing on me.

"Father!" Mia squealed, running toward him.

Dante caught her with one arm, lifting her effortlessly against his chest. His expression didn't soften—it was as if his face were made of granite—but the way his fingers curled gently around her back showed a terrifying, fierce protectiveness.

"Have you been good?" he asked her.

"Evelyn showed me how to make a castle with a moat," she boasted, pointing to the block structure.

Dante looked at the blocks, then at me. "A moat. To keep out the enemies?"

"To keep the people inside safe," I corrected gently, standing up and smoothing my blue dress.

Dante’s eyes lingered on the fit of the dress, his gaze dark and unreadable. He set Mia down and motioned to the two men behind him. They immediately stepped out of the room, closing the doors behind them.

"Enzo tells me you did not ask for your trunk to be brought from your previous address," Dante said, walking toward the table.

My heart did a slow, painful flip. "I don't have a trunk."

"Your husband is Sebastian Crane," Dante continued, his voice dropping to a dangerous, quiet level. "The Cranes are soft men who play with old money and buy their way out of dirty corners. I know his father. I know his sister. And I know what they did to you."

I felt a chill run down my spine. "How do you know that?"

"Nothing happens in this city without my knowledge, Miss Ward," he said, stopping just inches from me. "Especially not when a Crane throws his wife into the rain with twenty-six dollars and a broken name. He thinks he is clean. He thinks because he has a signed paper, he is safe."

Dante reached out, his gloved hand rising to touch a strand of my hair that had fallen loose from my pin. He didn't touch my skin, but the heat of his fingers was palpable.

"In my world," Dante whispered, "we do not leave our women in the rain. We do not throw away what belongs to us. If Sebastian Crane wanted to destroy you, he should have finished the job. Because now, you are in my house."

"I don't belong to anyone," I said, my voice trembling but clear. "Not to him. And not to you."

May you like

Dante’s gray eyes flared with something dark, something hungry and ancient.

"We shall see, Evelyn," he murmured, using my first name for the first time. "We shall see."

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