Chapter 4 - The Midnight Archive

By midnight, the mansion was buried in an unnatural stillness. Nathaniel sat in his leather-bound study, the glow of his dual monitors painting his face in pale blue light. On the desk lay quarterly reports, acquisition drafts, and a single, thick manila folder labeled Marsh, Josephine - Background Check.
His private investigator, a ruthless ex-MI6 operative named Vance, had sent it an hour ago.
Nathaniel opened it. The file was surprisingly thin. Born in working-class Chicago. Parents passed away when she was twelve. Raised by an aunt who suffered from chronic respiratory illness. Worked three jobs to pay for medical bills. No criminal record, no debt, no scandals.
Except for one footnote at the very bottom: Resigned from her previous position as senior housekeeper at the Sterling Estate after confronting the owner regarding child neglect.
Nathaniel frowned. He picked up his desk phone and speed-dialed Vance.
"Vance. The Marsh file. Explain the footnote."
A gravelly voice crackled through the speaker. "Sterling, the patriarch of the Sterling shipping dynasty, had a habit of locking his autistic grandson in a guest cottage because the boy's meltdowns interfered with his dinner parties. Miss Marsh found out, broke the lock with a crowbar, and carried the boy out in her arms. She quit before they could fire her, and threatened to go to the press if they didn't get the child into a proper facility. Sterling buried it with NDAs."
Nathaniel leaned back in his leather chair, the leather creaking softly in the quiet room. "She broke a lock with a crowbar."
"That's what the report says, sir. She's quiet, but she doesn't bend when things get heavy."
Nathaniel hung up without another word. He stood up, walked over to the tall mahogany bookshelf, and pressed a concealed panel. It swung open to reveal a private staircase leading up to the attic—the one part of the house he had sealed off the day after the funeral. It was Elise's sanctuary, filled with her paintings, her half-finished sewing projects, and boxes of photographs he hadn't had the courage to look at.
He hadn't set foot in here for over a year. The air smelled of dried lavender and old paper.
He walked past an easel holding a canvas of the twins as toddlers, their faces smeared with blueberry jam. Beside it stood Elise’s wicker sewing basket. Resting right on top of the lid was a small, leather-bound journal he had never seen before.
Frowning, Nathaniel picked it up. He carried it back down to his desk, sat under the cold glow of his desk lamp, and opened the first page.
Elise's handwriting was frantic, looping, and entirely unlike her usual calm demeanor.
October 12. The brakes on the SUV feel soft again. I told Nathaniel, but he was on a conference call with Zurich. He said he'd schedule service for Monday. But Monday is too late. I have this terrible feeling that someone doesn't want me to reach the board meeting tomorrow. If anything happens to me, look at the freight manifests from the port authority. It wasn't an accident.
May you like
Nathaniel stopped breathing. The office around him seemed to tilt, the walls closing in with terrifying speed.
It wasn't an accident.